HABILITÉS is a pilot project in inclusive practices developed by the Festival Accès Asie in collaboration with the Conseil des arts de Montréal and the MAI (Montréal, arts interculturels).
The goal of the project is to provide support in the form of training, professional development and adapted accommodations for Azalia Kaviani, an artist living with cerebral palsy so that she can produce a solo exhibition of visual art, a dance performance and share her experience during a conference with the team that accompanies her.
This initiative aims to highlight the qualities of artists with disabilities in the hope of recognizing their skills and promoting their integration into the fabric of our society.
The Nocturnes is the first solo exhibition by Azalia Kaviani, a visual artist and dancer of Iranian origin living with cerebral palsy. Organized by curator Kakim Goh, The Nocturnes explores the imagination of Azalia Kaviani. Through her work, the artist stages water, trees, gardens, flowers, animals, and insects to create a world where dreams and angelic desires meet.
In addition to the exhibition and to learn more about the project, meet Azalia Kaviani and the team on Sunday, May 23rd from 2 p.m. for a conference where they will speak about their experience.
Originally from Iran, Azalia Kaviani is a visual artist and dancer who has been living with cerebral palsy since childhood. She immigrated to Montreal in 2006. She is a graduate of Concordia and McGill University, and also attended Dawson College. Azalia exhibited her paintings in 2018 at Galerie Mekic in the two-person exhibition Les Visages and at the SalonEsque collective exhibition at the MAI (Montréal, arts interculturels) in 2015. From 2015 to 2017, Azalia received support from the MAI Mentorship Program. Her first solo exhibition The Nocturnes is the result of an intensive year of work on the ABILITIES Project, a pilot project in inclusive practices that was developed by Festival Accès Asie for the purpose of providing Azalia with adapted training, professional development and accommodation so that she could achieve her artistic and professional goals. Through her art, Azalia is motivated by the desire ‘’to inspire people with disabilities to pursue their ambitions, to encourage them not to marginalize themselves.’’
Kakim Goh is a Singaporean-born Montreal-based visual artist, curator, and cultural worker. He holds a Bachelor of Fine Arts in Painting and Drawing from Concordia University. Kakim has a long history of community engagement helping to advance equity, diversity, and inclusion in the education, arts, and culture sectors. Kakim is an appointed Member of the Evaluation Committee for New Artistic Practices and Multidisciplinary Sector at the Conseil des arts de Montréal. He is Treasurer, Executive Member of the Board of Directors, and Chair of the Inclusion Committee at the English-Language Arts Network (ELAN). He served as Curator of the Visual Arts Program at Festival Accès Asie from 2014 to 2016 and was Vice-President on the Festival’s Board of Directors from 2014 to 2019. In everyday life, Kakim works as the Business Development Officer at Dawson College’s Continuing Education and Community Services.
Irem Bekter, woman of theater, of music, and dance, was born in Istanbul and left for England at the age of eight. She received diplomas in classical ballet and jazz dance from the Elmhurst Ballet School and perfected at the Royal Academy of Dance. In addition, she graduated from the Webber Douglas Academy of Dramatic Arts where she studied theatre, radio arts, television, direction, and music and singing.
In 1984, she moved to Argentina and dedicated her heart and soul to Argentinian folklore, especially ‘zapateo’ (Argentine foot stomping), which, after years of exhaustive research, lead her to create a new pedagogical concept called ‘Rhythm and Body’, which she taught at the Cultural Centre of the Faculty of Economics Sciences of Argentine and in extracurricular theatrical activities for young people with Down Syndrome. Under the auspices of the Teatro Luz y Fuerza, Irem developed a motor coordination program to stimulate brain and body activity in seniors. Since moving to Monteal in 2007, Irem has served as movement coach for Montreal’s Infinitheatre delivers workshops for Concordia University’s ‘Centre for the Arts in Human Development’ program, which helps people with special needs.
Elise Andreoli is an experienced clinical nurse. Born in Montreal, she is of Italian and Quebecoise origin. Elise holds a DEC in Nursing from Cégep André-Laurendeau and a Bachelor of Science in Nursing from the University of Montreal. She has been a clinical nurse at the University of Montreal Hospital Centre (CHUM) since 2000, where she has worked in several units including emergency, hepatobiliary surgery and urology. She currently serves as a pivot nurse in oncology since 2009. She is the mother of two children, one of whom was born with cerebral palsy. In spite of her busy schedule, she still finds the time to practice taekwondo and dance. Elise is passionate about challenges and art therapy, and says her patients inspire her on a daily basis.
Laurence Ly is a director, editor, and screenwriter of Cambodian and Vietnamese origin. Born in a refugee camp in Thailand, he has been a Canadian citizen since the age of two. After obtaining a Bachelor of Arts from the University of Quebec in Montreal (UQAM) in 2014, Laurence began a self-funded feature film, Marche avec moi (Walk with me), and participated in the “Rendez-vous Québec Cinéma”. In 2017, he obtained a master’s degree from UQAM in communication with a concentration in film and moving images. A devoted filmmaker, director, screenwriter, editor, and producer, Laurence was also a programmer of films for the Festival Nomade de Montréal from 2013 to 2018. Today, he is a videographer and photographer for Festival Accès-Asie and also works at Main Film.